After the turmoil of the Civil War, grieving families sought spiritual connection to their departed. Certain clairvoyants claimed the ability to photograph the dead.

Mary and Marquard are painters and lovers, with a common life. Once Marquard gets a prize of a considerable sum of money, his artistic creativity wanes. While Mary works in a series of paintings, Marquard visits his friend Gregor, a horse breeder and philosopher, sleeps with Angie and visits repeatedly her daughter Lucia. Marquard and Lucia, who have begun a tender and compassionate father-daughter relationship, spend two days in a seaside hotel, deciding not to speak in words. The feelings and communication emerge from a very special way. Mary, who does not know the whereabouts and the reason of the absence of Marquard, realizes it by herself: their love is over. Then, she abruptly interrupts her work so far and starts a new painting entitled "The visible and invisible."

SUPERHUMAN: The Invisible Made Visible is based on the jaw-dropping experiences of individuals with extra-sensory powers that seem to defy the laws of physics known to man today. Producer and host Caroline Cory, who has her own extensive experience in the field of Consciousness Studies and Extra Sensory Perception, takes the viewers on an extraordinary journey to achieve tangible and measurable proof of these seemingly miraculous phenomena. Through a series of groundbreaking scientific experiments and demonstrations, viewers will find themselves connecting the dots about the true nature of their own consciousness, the relation between mind and matter and discover whether they live in a simulated matrix or if they can have control over their physical reality and create a fulfilling human experience. The film ultimately shows that once the invisible worlds are made visible, this attained higher awareness will transform humans into superhumans.

It features all sorts of things that are way too visual to be on the radio: dance, animation, illustration, an interactive musical performance, photographs, a short film, and David Sedaris in clown makeup. Along with Sedaris, there are stories by the now-famous Tig Notaro, Glynn Washington, Ryan Knighton and David Rakoff. Lots of the stories are funny. David Rakoff's is particularly touching. He talks about the abilities he’s lost during his fight with cancer, and then, gracefully, beautifully, does a solo dance onstage. It was the last story Rakoff ever wrote for the radio show. He died three months later, in August. OK Go provides music. Monica Bill Barnes & Company dance. Ira Glass tells a story using things he normally can't: photos. Mike Birbiglia casts Terry Gross in a surprising, hilarious little movie.

This 3-part musical odyssey features Montreal musician Alden Penner (formerly of the Unicorns) and Algerian refugee Abdelkader Belaouni, who is confined to his church-based sanctuary. Joining the two is a cast of music makers and co-conspirators. Their choreographed street rebellion becomes a poignant treatise on the meaning and political import of movement.

The year is 2086. Seventy years ago the entire human race went invisible. Ten years ago, a small number of people began to mysteriously reappear. While theories exist, no one knows what's truly going on. When Guy, a conflicted artist, is presented with the knowledge that he has the power to transform back to his visible state, he's faced with a tough dilemma: does he become visible and accept a life of vulnerability and possible judgment, or does he stay invisible and risk losing an existence of passion, honesty, and love?

Years ago, Mike killed the new mother of twin girls and took the babies to a house in the woods, claiming them as his own to appease his wife's desire for kids. 10 years later, Stacy flees to her uncle's old secluded cabin in those same woods to escape her abusive boyfriend. There, she is haunted by the ghosts of the little girls crying for their mother.

Oliver is a lonely forty-something working as an air traffic controller. He fills his empty life by watching TV and observing the family living in the house across the street - he regards them as an ideal of happiness. At first he just watches the family, but he gradually wants to learn more about them. He soon realizes that borders of one's private life are more fragile than they seem.

Nick Knight's fashion film explores and unpicks society's obsession with images of celebrities and our voyeuristic tendencies when it comes to icons. The film was shot in 1995 during Knight's first ever session working with Moss, who was twenty years old at the time and fast becoming a worldwide star. It features footage from security cameras - a nod to the debate and controversy that surrounded surveillance culture at the time of filming - and presents Moss going about a normal day, from waking up to visiting a Madison Avenue studio, to returning home.

Jonas (Dainius Kazlauskas) pretends to be blind and enters a TV dance contest, where he meets his attractive dance partner Saule (Paulina Taujanskaite). Soon they become the show's most popular contestants. While the whole nation thinks that Jonas is blind, Vytas (Darius Bagdziunas), an old acquaintance of Jonas, is released from prison. As reminders of the past keep creeping up on them, Vytas is suppressing contradictory feelings - to seek revenge or forgiveness in such a manipulative world - for sins that were and for sins to be made.